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Net & String Taichung

勤美術館2025夏季展《Net & String Taichung》

For this exhibition at CMP INSPIRATION in Taichung, Christoph Katzler – co-founder of the internationally renowned collective Numen / For Use – presents two immersive installations that respond directly to the striking architectural language of the institution. With a keen sensitivity to site and structure, Katzler engages the building not simply as a container for art, but as an active collaborator in form, rhythm, and meaning.

The pulsating linear patterns found in the entrance area of CMP INSPIRATION served as a key inspiration for Net Taichung. These architectural elements, vibrating with movement and light, are echoed in the spatial gridwork of the Net installation. Suspended in tension, the net becomes a walkable drawing in space—fluid, tactile, and alive.

A second work, String, draws from the repeating parallel lines of the building’s rooftop silhouette. In this piece, tensioned lines stretch across space like a three-dimensional sketch, transforming architectural cues into an immersive, physical experience. Viewers are not merely observers but are drawn into a choreography of movement and perception.

Together, Net Taichung and String extend the visual language of the CMP building into elastic, responsive environments. Christoph Katzler’s approach blurs the boundaries between architecture, sculpture, and scenography—inviting us to move, sense, and think through the logic of material and line.

Katzler emphasizes the importance of physical engagement with the installations. Visitors are invited to enter the works—often crawling or climbing—which breaks down social barriers and creates shared, playful experiences. Regardless of age or background, people respond with childlike joy. This universal reaction reinforces the collective’s desire to create accessible, immersive environments that offer meaningful, joyful encounters beyond conventional boundaries of design and art.

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Net Taichung

This project is another self supporting inhabitable social sculpture or an oversized three-layered hammock.

Net in an inflatable is a further development of the Net project both in means of construction and appearance. The object is inflated till the outer surface reaches adequate tension for stretching the nets connected on the inner side of the skin. This construction excludes any use of additional structure. The result is a soft object which deforms and mutates with every movement of its temporary habitants. Meanwhile, the outer membrane acts like a “soft box” diffuser known from the field of photography.

The webbed nets are soft and seamlessly connected to the outer membrane. Three layers of netting are interwoven at several points, creating characteristic deformations that resemble a wireframe of a 3D computer model. Although it appears digitally generated, the entire project was designed and developed through physical model-making. The result is a work that feels virtual yet is entirely analog—emerging from a process of continuous exploration and refinement over the course of several years.

String Taichung

The installation is based on the production system of large geometric inflated objects. Since the physical behavior of fluids tend to make all inflates spherical, thin parallel ropes are tied on opposite sides of the volume, keeping them parallel to one another.

When the volume deflates, the ropes get loose and lay on the ground enabling compression of the installation. When the object inflates, the ropes tense to become a perfectly straight line again. Impossibility of perception of scale and direction results in simultaneous feeling of immenseness and absence of space.

 

The inspiration for String can be traced back to an encounter in a workshop dedicated to inflatable structures. Among the prototypes was a cubic inflatable, typically used to place logos and advertising on them. What set it apart was not its exterior, but its interior: a dense configuration of perfectly straight ropes that evoked associations with minimal art. This unexpected aesthetic quality revealed the hidden beauty within an otherwise utilitarian object.

Interestingly, many of the plain, squarish inflatables seen across the globe—primarily serving commercial purposes—share this internal structure. The precision and geometry found inside them closely resemble the spatial qualities of String. In this sense, the installation functions as a kind of objet trouvé: a found form repurposed and reframed within an artistic context, stripped of its original function and reimagined as immersive spatial sculpture.

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Curatorial Team

奧地利藝術團隊Numen For Use (Photo credit:Numen For Use;photography by Aurélie Cenno) (1)

Numen / For Use

Numen / For Use is a collective operating at the intersection of conceptual art, scenography, industrial, and spatial design. Founded in 1998 by industrial designers Sven Jonke, Christoph Katzler and Nikola Radeljković under the name For Use, the group adopted the identity Numen in 1999 to encompass projects beyond the scope of industrial design. Their early work was defined by experiments in impersonal design and radical formal reduction, often applied to holistic, interdisciplinary design concepts. In 2004, after completing their first large-scale stage design, Numen / For Use became increasingly engaged in scenography, producing sets for theatres and opera houses across Europe. Since 2008, the collective has shifted its focus toward the creation of functionless spatial concepts—hybrid and immersive installations such as Tape, Net, Tube, and String. These walk-in environments challenge perception, structure, and the body’s relationship to space, marking a distinct and evolving trajectory within their practice.

Curator

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Christoph Katzler

Christoph Katzler’s design philosophy is deeply rooted in hands-on making and material exploration. After completing an apprenticeship as a cabinet maker, he pursued studies in furniture and interior design, followed by the master examination in cabinet making—allowing him to establish his own workshop to realise his early designs. In 1995, he began studying industrial design at the University of Applied Arts in Vienna, where he met his future collaborators and co-founders of Numen / For Use. At the core of Katzler’s creative process lies a fascination with materiality. Most of his works begin with an intuitive curiosity about a specific material, leading to years of experimentation, testing, and refinement. His approach draws on traditional craftsmanship and manual production methods, yet deliberately questions conventional standards. This tension between the known and the unexpected opens space for innovative structural and aesthetic solutions. Katzler’s practice remains guided by a deep respect for material intelligence—allowing each substance to shape the form, function, and experience of the work.

Ticket

Price

Special Ticket

Weekdays: $339 | Weekends: $425
Download the “勤美生活” app and present it upon entry to enjoy this discount.

General Admission

Weekdays: $399 | Weekends: $499
Standard ticket for all visitors.

Group Ticket

Weekdays: NT$360 per ticket | Weekends & Holidays: NT$450 per ticket
Each set includes 8 tickets.

Neighborhood Discount

Weekdays: $339 | Weekends: $425
Exclusive to residents of Minlong, Zhongming, or Zhongxing villages in Taichung City’s West District.
Must present a valid ID upon entry.

Exclusive Promo Code

For users who have received a personalized discount code.
Please enter the code during checkout.

Concessions Ticket

Weekdays: $200 | Weekends: $250

Please present relevant documentation upon entry. This fare also applies to one companion.

Period

Limited Exhibition

TIME

2025/6/20 (Fri.) – 2025/11/2(Sun.)

INFO

Associates

Curator

CMP INSPIRATION

Co-organizers

CMP Group,  PUJEN Land Development, Hotel National

Curatorial Team

Numen / For Use

Curator

Christoph Katzler

Music Composition

Nick Tsai

Equipment

Samsung Neo QLED 8K

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